VietNamNet Bridge – Fifty works by late painter Luu Cong Nhan are on display at an exhibition called Net (Stroke) at the Vincom Centre for Contemporary Art (VCCA) in Ha Noi.
Sundry objects: A still life painting by Nhan. – Photo Vietnam Art.com
The exhibition celebrates the 10th death anniversary of the famous painter (1930-2007).
The works on display have been selected from 400 paintings of women, scenery and still life by Nhan owned by collector Nguyen Phuc Huong.
Hailed as a master of watercolours with around 600 works in this genre, Nhan’s subjects of interest range include northern village scenery, Hoi An, Hue and My Son landscapes, nudity, still life and flowers.
Muse: Beautiful women were frequent subjects of Nhan’s paintings. – Photo luucongnhancollection.com
In a 1995 interview, he said: “From adolescence till over 60, I have been biking and strolling around my village to sketch local scenes and people.”
He said the landscapes of northern countryside, Ha Long Bay, Hoi An and the northwest region have drawn him again and again in his quest or inner peace.
Nhan’s almost absolute faith in realism finds expression in symbolisation and allegory.
His first mentor was one of the country’s four legends of fine arts, To Ngoc Van (1906 – 1954), who gave him his first lessons of arts at the Viet Bac base during the first Indochina War (1950 – 1953). However, his style was influenced by a painter he admired the most, Pierre-Auguste Renoir (1841 – 1919), the leading French Impressionist and a celebrator of beauty, especially feminine sensuality.
Nhân also read a lot of fine arts books on the Renaissance period in Europe, Chinese watercolours and Vietnamese folklore paintings. He said it was obvious that a painter would be influenced by tradition as well as foreign factors, but what makes one an artist is the ability to stand out from others with a distinctly personal style.
Recalling his old friend, painter Bui Quang Ngoc said: “He led a moderate and serious life, sticking to busy schedule for daily work. Whether it was friends or food, he chose carefully. He did not drink wine, coffee or tobacco. Sometimes he have a bottle of cold beer. He was a true fan of tea, with a Thai Nguyen tea box and a hot kettle next to him all the time. He also had a real taste for colleting antiques.”
Tireless: Artist Luu Cong Nhan. — File Photo
For his generation, Nhan belonged to a minor group of artists who worked tirelessly. In the final years of his time, as Parkinsons disease and lung cancer tortured him and confined him to a wheel chair, he kept painting. His final sketch was of a naked woman.
Nhan’s paintings have been displayed at the Berlin International Exhibition (1964), Bucharest (1968), Budapest (1960), Laureate of the Vienne Biennal V (1959), Moscow (1958-90), Paris (1980), Prague (1960), Beijing (1957) and Warsaw (1958-60-65). In 2002, he received the State Award (First Phase), National Exhibition Award (1951-60) and Vienne International Exhibition Award (1959).
The Net exhibition will be held at Room 3, floor B1, Vincom Megamall Royal City, 72A Nguyen Trai Street. It will remain open until September 25.
VNS